And by producing it, alongside good friends Scott Stuber and Jason Clark, there is no-one to rein him in when he starts being narratively flatulent as well as comedically so | While both filmmakers brought modern dialogue to an historic setting, Macfarlane doesn't do anything constructive with this conceit |
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Underneath all the buffoonery and fart jokes, there was a believable relationship between Cleavon Little and Gene Wilder, who were part of a story with genuine tension, stakes and even pathos | While not without brief moments of coherence or spark, the film is largely unfunny, unfocussed, and squanders all the best ideas for the cheapest gag on which it can lay its hands |
Even if Macfarlane's ambitions didn't extend to a full-on reworking of Thomas Hobbes, he could have taken this central idea further.
11Wherever you stand on Macfarlane's televisual endeavours, translating from one medium to another is notoriously difficult | It's just Bandaid over the cancer |
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The initial idea has some comedic promise - someone can't attend a gunfight because he can't stop going to the toilet | A Million Ways To Die fluctuates between self-aware insight and outright and often literal toilet humor |
Doug Naylor, who co-created the original series, recalled being in a room of writers from The Simpsons and Cheers, and being berated for wanting to work on character construction rather than coming up with gags.
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